2024 was to be a busy year–I knew that at the very onset. Some things you just know will happen, no matter what. I don’t know what it’s called. Clairvoyance? Intuition? But there are other things you already have information of. For example, I already knew that in 2024, I had some career best venues scheduled to be published in. On the home front too, I had been expecting major changes, including buying and moving into a new apartment. I’m happy everything fell into place and I am a very content person at the moment. Still, it is important to remember the struggles, and the heartbreaks. As always, I am eager to share my journey with you, my dear friends and subscribers. In case you’re new here, I have this (kind of) ritual of sharing my year’s journey in a year-end blogpost, somewhat scarily titled “Annual Report”. My annual reports not only list the year’s publications, but also recount the bad experiences, the unexpected happenings, my wishes and dreams. I believe they might help someone starting out as a new writer, because such frank accounts would have helped me, say five year’s ago, when I was new to the grind of online/print publishing of shorter works. All my “Annual Reports” are linked on my author website’s homepage.
Among the big highlights of the year: YES, I FINISHED DRAFTING A NOVEL!! And I sent it out on sub (but somewhat half-heartedly). As many of you know, because I am not based in the US or the UK, I lose out on many exciting opportunities. My guess is that the novel, largely based in India (though it is also VERY multicultural and cross-continental, and proudly follows major characters in different continents of the world) also suffered somewhat because of this. It’ll have a rough journey–again, that is something I already know. But like many of my flash pieces (including the exceptional journey of “Dark Matter” about which you can read here) my novel too will be taken by someone who truly appreciates its nuances. That’s my strong belief! I haven’t submitted it anywhere for months, but I am not giving it up–never! In fact, I’ll keep seeking publishers next year even as I look to revise it one more time. Another big change is that I haven’t actually been chasing lit magazines this year. I am a lot more cool about the rejections and grateful for whatever found publication and found readers. It is so difficult now to have the word out when you publish something–promoting your publications in the face of TwitterX’s collapse is challenging. I conducted exactly one workshop (Abode Press) because I was skeptical of scheduling more given I was to shift home (and that, expectedly, threw my routine haywire!), but I participated in several multiple author reading forums. I received multiple nominations–more than I expected anyway, and had a piece in the longlist of Wigleaf 2024. I also made it to both Best Microfiction 2024 and Best Small Fictions 2024 Anthology.
All these meant I also received many rejection notes. Again, quite surprisingly, many highly-sought-after venues dropped a line or two in additon to their fixed format declines appreciating my work, or style, or voice, for which I am hugely grateful. I know these mean not much in the greater scheme of things, BUT these tiny personalized notes mean the world to me because they tell me I am on the right path, and that my writing is improving. Without writing classes that I can ill-afford and expensive retreats/workshops I’ll never be able to participate in, these little notes of appreciation are my cushions in the big and crushing world of publishing.
I didn’t win anything, which is like every year–I never have won anything! But this year I made the runners-up spot in Bacopa Literary Flash Contest 2024. I published 3 collections–two e-books/online published and one in paperback–which was awesome and surreal! My latest Novella-in-Flash fiction “Glass/Fire” (Querencia Press) continues to receive much love from readers and the writing community alike, with several reviews and interviews popping up in November/December (including in Miracle Monocle, Kitaab, Fahmidan Journal and Bending Genres) and a few scheduled for next year too.
There were the disappointing bits too. I started a Patreon page that never took off. LOL! Secondly, 3 acceptances turned out to be duds because the issues were cancelled for some reason or other, mostly funding issues. And most unfortunately, I suffered a serious health scare in July and on doctor’s advice cut down on writing assignments and work. I excused myself from the editorial duties at trampset with a heavy heart. I am glad that the founding editors wanted me to continue writing the columns at trampset. In 2024, eleven columns were published covering subject-matter ranging from musings on rejection notes, to thoughts on the world’s biggest elections to speaking climate truths to power! I continue to be on the masthead of Vestal Review which has a fantastic team headed by David Galef. I love reading submissions and lending my perspective to the eventual final selections.
For the first time ever, in 2024 I applied for a grant that would allow me to attend an overseas 4-day retreat, and was one of the 32 finalists out of a 1200 strong pool! Sadly, I didn’t make the six who are going to attend in 2025. Anyway, Granta compared me to Gabriel Garcia Marquez which more than made up for that setback.

So that’s how 2024 was! In case you’d be interested, here’s the list of my publications (with links):
2024 publications
- TALON REVIEW (Creative Writing at UNIVERSITY OF NORTH FLORIDA): “Summer Rubies, Fairy Favors, In Those Freckles Live Their Savors”; Flash Fiction; Volume III, Issue IV; December 2024 (Pushcart-nominated)
- TINY SHINY THINGS: MYTHIC PICNIC: “An Apology For Honne-Tatemae”; Microfiction; Dec 14, 2024
- LIBRE MAGAZINE: “Behavior Patterns“; Plath Special: Issue 02; December 14, 2024
- TINY MONECULES INTERVIEW: with Sara Dobbie; December 06, 2024
- ZOETIC PRESS: “For Those Who Favor Fire to Ice”; RITUALS Issue; NBR #38; Hybrid Prose; December 03, 2024
- WELTER MAGAZINE (University of Baltimore’s premier publication, in its 60th year): “This Man Who Cries in A Million Humdrum Worlds”; MICROFICTION; DECEMBER 03, 2024
- THIRTY WEST TW Tales #2 ft ON DEC 03, 8 PM EST
- BACOPA LITERARY REVIEW ANNUAL ISSUE 2024: “Revolver Rita First Look”; Flash Fiction; October 2024; Honorable Mention Winner in Flash Fiction Contest 2024; NOV 10, 2024
- TRAMPSET: “Literary World Split Down the Middle This Week”; COLUMN; NOV 04, 2024
- BEST SMALL FICTIONS 2024 Anthology: Maryland Literary Review Press; Inclusion “Of Foliage”; originally published in Microlit Almanac
- L’ESPRIT LITERARY REVIEW: “Confinement, Departure: Paris, 1790”; Issue Five; Microprose; November 04, 2024
- QUERNECIA PRESS: “Glass/Fire” Novella-in-Flash; Preorder OPEN NOW 22 OCT 2024
- TRAMPSET: “In the Event of a Disaster, the Writer…”; COLUMN; OCT 11, 2024
- THE CINCINNATI REVIEW; miCRO “Black Beauty“; Oct 02, 2024
- THE FAIRYTALE MAGAZINE: Fall/Winter Issue; SHORT STORY; “The Wild Brothers”; Oct 01, 2024
- ZERO READERS MAGAZINE: “I’m a Writer in English, but I’m not English”; ISSUE #7; Craft Essay; September 27, 2024
- TRAMPSET: “How a Health Scare Taught Me to Value my Writing Life More”; COLUMN; SEP 11, 2024
- ATLANTA REVIEW (since 1994; housed at the Georgia Institute of Technology): “Lines and Erasures” POEM; Poetry 2023 Issue; Published August 2024
- FUNICULAR ONLINE: Flash Fiction; “Rains in Dubai”; AUG 21, 2024
- THE SUNLIGHT PRESS: “Passion and Wild Card”; Flash Fiction; AUG 20, 2024
- TRAMPSET; “I Wonder and I’m Intrigued — Has the World Stopped Producing Literary Icons?“; COLUMN; AUG 06 2024
- BEST MICROFICTION 2024 Anthology: “In Leaping”; originally published in The Citron Review, July 28, 2024
- FICTION COLLECTION-MPTSP vol 10: “Night of Apocryphal Stories”; Horror collection; July 17, 2024
- Flash Fiction Anthology UK South Asian Flash Fiction; edited by Susmita Bhattacharya,
Anita Goveas and Farhana Khalique; Dahlia Books; July 14-15, Bath Flash Fiction Festival 2024 - GHOST CITY PRESS: Microchapbook Summer Series 2024–“Theorem and Hypothesis in Applied Relationships” Four pieces of highly-experimental prose; July 11, 2024
- TRAMPSET Column: No Never Forever Affairs with Rejection Slips, Continues; July 8, 2024
- THE McNEESE REVIEW BOUDIN: “Season of Silence”; Microfiction; June 21, 2024
- HONEYGUIDE LITERARY MAGAZINE: “The Crocodile Comes to Claim His Bride”; Flash Fiction; Print & Online Issue 8; June 29
- VESTAL REVIEW: An interview with a flash fictioneer who was trained as a scientist– Interview with Christine H. Chen; Column; June 15, 2024
- TRAMPSET; “Speaking Climate Truths to Power“; COLUMN; June 11, 2024
- THE RUSH MAGAZINE (Mount Saint Mary’s University-Los Angeles): “Night of the Golden Darkness“; Flash Fiction; June 8, 2024
- EMERSON REVIEW Vol. 53 (founded in 1953 as The Scribe, Emerson College‘s award-winning and oldest student-run literary magazine) “How To Know The Dollar in Delhi” 2024 Issue of The Emerson Review, print & online; June 7, 2024 (Pushcart nominated)
- RIGOROUS: “Birds Which Fly During the Storm” ; Flash Fiction, April 2024
- IRON HORSE LITERARY REVIEW (Texas Tech University; founded In 1999): “Ten Reasons enroute to Cataloguing Ten Thousand Facial Expressions,” Prose; IHLR Open Issue 26.1, April 2024
- TRAMPSET; “What’s There for a Writer in the Planet’s Biggest Election”; COLUMN; MAY 12, 2024
- FULL BLEED (Published annually in print and online by the Maryland Institute College of Art) in partnership with Pen Parentis: “Bridge Over Chaos”; Short Story; 02 May 2024
- Selection in CLMP Reading List for Asian/Pacific American Heritage Month; May 2, 2024
- 2024 MOM EGG REVIEW PRINT: Flash Prose; “Oh, Look, I Tried”, Vol 22 April 24, 2024
- TRAMPSET: “Until August, Countries of Origin and the Passengers of the Time Train”; COLUMN; April 24, 2024
- Retreat West Flash-in-Five Blogpost sharing the ‘behind the scenes’ of writing the nominated story “Kaala-Paani” (published in FlashBack Fiction) inspired by the Cellular Jail, Port Blair; April 3, 2024
- PARENTHESES JOURNAL: “Crocodile Teeth”; Flash Fiction; April 2, 2024
- FLASH FRONTIER NEW ZEALAND: Theme QUIET | MARIRE “The Poorer Quiet”; March 30, 2024
- TRAMPSET: LIAR, BETRAYER — YOU, A WRITER? ; COLUMN; March 22
- THE ILANOT REVIEW: “Kakiya Wears a Half-Sleeved Shirt While it Snows,” Microprose; “Parents” issue; March 12, 2024
- EASTERN IOWA REVIEW: “What Do I Tell You, Sunderban Bagh?”; Flash prose; March 10, 2024
- LOCKDOWN BABYBABBLE: “Rainbow Tomorrow”; University of Plymouth; February 29, 2024
- TRAMPSET: ALONE & LONELY — MISSING BOOKS AT LITERARY FESTIVALS; COLUMN; FEBRUARY 28, 2024
- INTERVIEW: Sam Szanto interviewed me about Where We Set Our Easel (March 1, 2024)
- LINDENWOOD REVIEW MFA: “The Salmon Trader is Tired on Pink”; Flash Fiction; February 13, 2024
- THE RUMPUS: 3 Flash Fiction pieces (Fermentation Records/Neelakurinji/Pistachios); February 12, 2024
- SOUTH DAKOTA REVIEW (University of South Dakota): “King George’s Star Inside a Ziploc Pouch”; PRINT publication, Volume 58, No. 1; February 8, 2024
- HAWAI PACIFIC REVIEW (online literary magazine of Hawai`i Pacific University; started in 1987): “In Accordance With”; Micro Prose; February 8, 2024
- COLUMBIA JOURNAL (Columbia University’s School of the Arts): Flash CNF Prose; “Your Everyday Social Experiment”; February 2, 2024
- TRAMPSET: “Cultivating Curiosity: Research in Fiction Writing“; January 24, 2024
I hardly expect 2025 to be anywhere close to what 2024 was publication-wise. There are several reasons for it, which I will share some other time. I have some exciting projects lined up in the new year that’ll require me to take on new roles and responsibilities. I continue to offer fiction manuscript consultations. I’m glad writers are trusting my experience and wisdom. On the blog, the regular month-end craft essays have unfortunately ceased, but I will continue to publish (irregular) similar prompts-plus-craft essays, recommended reading lists, thematic and season-specific flash fiction examples, fiction analysis and writer interviews. Stats tell me that, in spite of publishing very few blogposts this year, my website received the highest traffic in 2024 since its launch in 2021. Woo-hoo! Finally, I appreciate your tips at PayPal.Me–I’ve been paying part of it forward through free manuscript consultations for those who need it! THANKS EVERYONE FOR THE ENCOURAGEMENT–it really makes me very happy!
The first blogpost for 2025 will be a list of Top 5 writer-friendly websites that help in finding submission opportunities, and will be subscriber-only.
Finally, for those new to my author site, I’m also on Patreon, Instagram, and Medium (where I post selected works, selected craft essays and my trampset-published columns). I have a wee YouTube channel (where I post readings, craft essays and How-to tips). Follow me on Social Media as everything I post is related to writing. Like, share and subscribe. Reach out to me–I try to respond to everyone who writes to me!
In 2025, I hope you continue to share your creativity with the world, be generous, positive and kind. Here’s wishing you a wonderful new year!!

